Monday 17 October 2016

RESEARCH-Title sequence (2)



Sequence 2:

Camera- ( shot distance/ angles/ movement/ framing):

- Firstly, the cameraman is trying to show us important articles that mean something. He is doing this by ' scanning' through the articles grabbing the important words to show the audience.

- Secondly, they are showing me couple of short clips on what the government did, such as; a person flagging the boat to show the government has more authority.

- Also, when the nuclear bomb took place they did a birds eye view shot to show how massive the bomb is to the audience.



Editing- ( cuts/ speed/ special effects/ transitions):


-Firstly, cutting on action is used to cut from one shot to another, for example; The woman's taking off there glasses.

- Also, for the nuclear bomb they silenced the music and all the audience could hear was the nuclear bomb. Which was impressive because they wanted the audience to concentrate on the nuclear bomb.

- At the end when the nuclear bomb exploded they edited it perfectly because it looked very real. 


Mise-en-scene- ( location/setting/costume/make up/ lighting):

- Firstly, already from the start i could understand its going to be based on historical content as i saw the ' Godzilla ' and ancient writings.

-All the people in the title sequence were wearing soldier costumes which i assume that they have knowledge of a soldier.

- They all had the stuff you need for war, such as; binoculars, grenades. They were ready for war. 

sound ( musical score, sound effects, wild sound, Foley sound):

- Firstly, ' foley sound ' is used for the sound of the water

- After the nuclear bomb exploded they edited the fire to make it look more realistic, obviously it wasn't a real explosion but they made it look like it was real due to the special editing.

- Lastly, ' Score ' has been used throughout the title sequence to create build tension.

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Casting by - Sarah Finn
Costumes designed by - Sharen davis
Visual effects - Jim Rygiel
Visual producer - Allen maris
Sound - Erik, Ethan
Music supervisor- Dave Jordan
Film editor- Bob Ducsy
Production designer- Owen Paterson
Story- David Callahman
Director- Gareth Edward

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