Sequence 3:
Camera- ( shot distance/ angles/ movement/ framing):
- Firstly, Smiling family portraits, faded newspaper clippings, and photo negatives are clinically presented by an unseen lecturer.
- This means that the lecturer has to use the best shot distance so the audience can see the who newspaper and maybe even read it.
- Also, the lecturer is using some kind of paper ( see through ) to go over the newspaper to make the writings stand out and more visible.
Editing- ( cuts/ speed/ special effects/ transitions):
- Firstly, the whole title sequence is black and white meaning the story is from the past, which is very clever because back then there was no electricity which might refer to why title sequence is interesting.
- Also, there was no white paper they had to use the yellow ones, which in this title sequence that paper is particularly used to gather the information that its from the past, not something that happened couple years ago.
- Moreover, the title sequence cuts into one another, talks about one family then skips to the next one without even giving a clue.
Mise-en-scene- ( location/setting/costume/make up/ lighting):
- Firstly, we dont know where its set because a lecturer is talking, However the story is based on a true story near the woods and the writer is trying to also show us pictures of the setting so we can have a brief understanding on where it happened. In addition, it makes it more interesting if its set in the woods as it is so he showed us to build tension.
- Lighting is used effectively because it shows us the words clearly because its written ages ago.
sound ( musical score, sound effects, wild sound, Foley sound):#
- Firstly, Foley sound is used for the wind.
- Throughout the titles is eerie music with synchronous sound effects of drums and crows; crows are often used as a sound effect in horror movies as they are ominous creatures whose presence is used to forebode the unorthodox happening.
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Director- James wan
Written by- Chad Hayer
Produced by- Tony, peter Safran
Executiver producers- Walter Hamada
Director of photography- John Riems
Production- Julie Berghoff
Edited by- Kirk morri
Casting by- Anne mccarthy
Costumers- Kristin m.burke
Music- Joseph Shara
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